Category: Hindi

Agent Vinod is one of the weirdest films I’ve seen in recent times. Don’t get me wrong, it’s not a bad film in entirety, but the taking, screenplay and cinematography were so bloody confusing that I began to wonder if The Matrix was simpler to understand.

Director Sriram Raghavan seemed to have been inspired from Casino Royale so much for he decided to make this film on pretty much like it. The plot is no where close, but to me, it seemed like a lot of shots were rip off’s from the James Bond film. Saif Ali Khan tried really hard and put a lot of time and effort to become the Indian Bond. He even put his decision on marrying Kareena on hold until the film was out. Alas, though he comes up with a pretty good performance, the boring, boring script fails him. Except for him, the millions of actors playing different characters in the film do nothing but confuse you. Of them, Kareena looked the most out of sorts.

The fast paced action in the film is so bloody fast that you can neither make head nor tail out of what’s happening on-screen. The cinematography, thought brilliant in few episodes, could have been way better. The screenplay, especially in the first half, is so confusing, that I couldn’t differentiate between the good and the bad guys.

Agent Vinod is a film you can watch once. Give it a shot if you have nothing else to do this weekend!!

Verdict: 6.5/10

For a detailed review, read on…

Plot
Vinod (Saif Ali Khan) is an Indian RAW agent trying to get hold of an ISI Colonel who is in turn trying to get hold of a suitcase bomb which could kill millions of people. In the process, he bumps into an undercover Pakistani ISI Agent Iram Parveen Bilal (Kareena Kapoor) who is also trying to get hold of the suitcase. Together, they travel from Moscow to Morocco, Latvia, Somalia, Karachi, and finally to India, only figure out that there is more to the conspiracy than what meets the eye.

Actors Performance
Saif Ali Khan looks suave and fits the bill perfectly. He carries the film on his shoulder with ease. Some of the dialogues mouthed by him are really good. But his characterization, though best of the lot, could have been much better. Kareena Kapoor, as already mentioned, looked pale and dead. He character required her to be sad for most part, but I thought she over did it. She looks gorgeous in “Dil Mera” song though. Ram Kapoor and Zakhir Hussain shine in their respective roles. Ravi Kishan and Prem Chopra are alright.

Story-Screenplay-Direction
Sriram Raghavan is a director with potential. With Agent Vinod, he tried to take his films a notch further with this film, but unfortunately for him, his efforts fall flat. The script is more or less a stitch of the Bourne, MI and Bond series; the problems with the stitch being the gaping loopholes and weak characterizations. The first half pretty much makes no sense, thanks to the mediocre screenplay. The second half helps us connect the dots, but not without rattling our brains. His brilliance though is showcased in the canning of “Raabta” song. The single shot sequence is one of the high points of the film. That apart, the direction is decent.

Other Departments
Music by Pritam is alright. He did a very good job ripping of some International tracks. “Raabta” is my favorite from the movie. Background score by Daniel George is pacy and good. Editing by Pooja Surti could have been crisp. Cinematography by Muraleedharan seemed very experimental. The upside down shot in the first few minutes, and the one shot picturization for “Rabta” song were brilliantly done. Action sequences by Perter Heins were, as usual, totally overboard, and made no sense to the naked eye. A lot of money was spent on the production (shot in 12 countries), and the effort is visible on-screen.

Vidya oh Vidya!! Wait, did I start my The Dirty Picture review with the same line?? Actually, who cares, for Vidya Balan has stumped me again!! This girl is absolutely brilliant, and is most probably gonna win all awards even in 2013!

Kahaani is a thought-provoking suspense thriller. It’s not perfect by any means, but the sheer presence of Vidya Balan, and some beautiful performances by the rest of the cast makes you forget all its flaws. Vidya is, am running out of adjectives here, stunning, and Parambrata Chatterjee is brilliant. After delivering a couple of duds, director Sujoy Ghosh comes up with a winner with the help of his co-writers Ritesh Shah, Sutapa Sikdar and Advaita Kala. As mentioned in the film, a pregnant woman searching for her lost husband against all odds makes you feel for her, and you can’t help but take part in her quest. Sujoy was able to maintain the tempo perfectly, creating beautiful moments, not once giving away the suspense to make you a part of that quest. Exciting screenplay, excellent cinematography in the bustling by-lanes of Kolkata, and a decent background score keep you, maybe not at the edge of you seat, but close enough.

Kahaani was not so well promoted, and doesn’t have good openings to boast off. It’s got no dancing numbers nor any sleazy skin shows. But it’s got Vidya, and Vidya brings all the entertainment we need. After The Wednesday, this is one of the best Bollywood thrillers I’ve come across. Don’t miss it!!

Verdict: 8/10 + 1 for Vidya

And for the first time so far, amma loved a movie more than me.
Amma’s Verdict: 9.5/10

For a detailed review, read on…

Plot
The film kicks off with a deadly gas attack in a metro rail in Kolkata. Two yeas post the attack, Vidya Bagchi (Vidya Balan), seven months pregnant, arrives in the city from London in search of her husband, Arnab Bagchi,  who had come on a project at the National Data Center a couple of weeks ago, and has been missing ever since. Satyoki/Rana (Parambrata Chatterjee), Asst. Sub Inspector of the Kalighat Police Station offers to help her in the search. The rest of the story is about the mysterious turns and events which finally help her find her lost love.

Actors Performance
Enough said about Vidya Balan, so I am not going to talk about her any further. As already mentioned, rest of the cast, though relatively new, was absolutely perfect and helped sustain the suspense. Parambrata Chatterjee looked really handsome and came up with an amazingly good performance. Nawazuddin Siddiqui was perfect as the rude IB officer.

Story-Screenplay-Direction
It looks like Sujoy Ghosh and Advaita Kala had an interesting intensive story to tell, but lost some steam when it came to script writing (Ritesh Shah, Sutapa Sikdar and Sujoy Ghosh). There are a number of loopholes in the script. Nevertheless, director Sujoy Ghosh was able to pull it off without ridicule in the end. He was able to extract terrific performances while keeping the audience thrilled. The interval episode was canned really well, leaving you asking for more and the twist in the climax was totally unexpected. The screenplay (Sujoy Ghosh, Suresh Nair and Nikhil Vyas), though a little hazy in the beginning, was really good. Leaving apart a couple of blunders, it is all connected very well in the climax.

Other Departments
Music by Vishal and Shekhar (couple of songs were used in the movie) is pretty good. “Ekla Cholo Re”  sung by Amitabh Bachchan is haunting. Background score is also good. Cinematography by Setu is awesome. He was able to capture the colors of Kolkata. Editing by Namrata Rao is neat. Production values by Viacom 18 are good.

Post Jab We Met, we’ve had a bunch of chirpy love stories release. Most of them had the same old concept of rich kids (either one) falling in love, then breaking up, and finally ending up together (Anjaana Anjaani, Break Ke Baad, etc). From the trailer, this pretty much looked like one of those films. There were even rumors of it being a Hollywood rip-off. But, Ek Main Aur Ekk Tu is nothing like those idiotic flicks, nor is it a rip-off. It’s a very cute little movie with some excellent, if not brilliant performances.

Directed by debutante Shakun Batra, EMAET has its heart in the right place. It is not one of those typical love stories (I would  infact not categorize it as a love story). It’s more of a lighthearted comedy with friendship as its backdrop. Imran Khan is getting better as an actor, Kareena, well, is just gorgeous, and their chemistry is great. Perfect casting, decent music, excellent cinematography, slick screenplay, what more do you need to make a good feature film??

Ek Main Aur Ekk Tu might be predictive, but is a very well executed movie with a refreshing feel  to it. Some might not like it, but I did, and suggest you go watch it.

Verdict: 8/10

For a detailed review, read on…

Plot
Rahul Kapoor (Imran Khan) is a parent’s pet, one who doesn’t live a life of his own. His dad (Boman Irani) expects him to be work for the best architecture firm, while his mom (Ratna Pathak Shah), a fashion obsessed socialite, wants him to work on his hairstyle. Meanwhile, Rahul loses his job. As expected, he bumps into the lovely-lively-bubly Riana (Kareena Kapoor), a girl who lives her life to the fullest. They get ‘Talli’ one night and end up getting married. They plan on annulling it, but before that happens, spend two weeks together. The rest of the movie is about how these two weeks change Rahul’s life.

Artists Performance
Imran Khan has improved so much as an actor. He’s getting better and better with every movie. He’s fantastic in the serious episodes, and pretty good at comedy. Though his mom keeps going on and on about his hairstyle, I kinda liked it. I strongly feel that he’s got the potential to make it big, but he definitely needs to try different things instead of working in films with similar genre (something like Delhi Belly more often).

Kareena Kapoor plays Geet all over again, but its more of a dignified and controlled performance this time around. She is the soul of the film, and looks gorgeous. Being a senior artiste, she gives Imran enough space, and not once overshadows him.

Rest of the cast is perfect. Boman Irani and Ratna Pathak Shah are an awesome as the obsessive, over concerned parents. Kareena’s bunch, each and every one of them, are absolutely fantastic. Ram Kapoor is perfect in his small role.

Story-Screenplay-Direction
Scripted by Shakun Batra and Ayesha DeVitre, EMAET borrows concepts from various sources , a bunch of films we’ve already seen, but it’s the execution which makes this movie stand apart from the rest. Its got ample amount of freshness to it. Direction by Shakun Batra is good. He uses his cast to perfection, and so was able to create few great moments. He was also able to generate subtle humor from the actors at ease. More than the direction, it’s the screenplay which makes the movie work. It’s very slick, and there is not a single dull moment in the movie. I especially loved the parallel story telling shots at the therapy center. And I loved the climax!!

If he sticks to his basics and makes movies with such freshness, director Shakun Batra might make be the next Imtiaz Ali.

Other Departments
Music by Amit Trivedi is a definite asset to the movie. It’s actually a worth buy album in itself. My personal favorites are ‘Aunti ji’ and ‘Gubare’. Background score by Clinton Cerejo is good. I liked the way he used an old classic for one of the most hilarious scenes in the movie. Lyrics by Amitabh Bhattacharya are perfect. Dialogies, I am assuming by Shakun Batra, are excellent. Editing by Asif Ali Shaik is really good. At 1 hour 50 minutes, the film, as already mentioned, is never boring. Cinematography by David MacDonald is very innovative. After the agni pariksha of Agneepath, Dharma Productions comes up with a feel-good breezy film.

Did I go to watch the Don return, or was it Mission Impossible 5?? There were car chases, buildings being bombed, hi-tech bank robbery sequence, 300 feet jump off a building, a mask involved.. did I miss anything?? In one word, it was a potpourri of say all the MI, Ocean’s Eleven, and every other Hollywood action film of similar genre put together into a 2 hours 26 minutes film. But wait, it doesn’t end there; unlike all other films, this one has the bad guy playing the lead role.

Plot
With the European mafia planning to kill him, Don (Shahrukh Khan) surrenders to the Interpol in Thailand. He  is sentenced to death, and is sent to a Malaysian prison where he meets Vardhaan (Boman Irani). Don and Vardhaan escape from the prison and reach Berlin. Together, they plan to rob a bank while Interpol officer Roma (Priyanka Chopra) is trying to chase them down. The rest of the story is all about how the robbery is executed, and Don’s real motive behind the robbery.

Artists Performance
Shahrukh Khan is brilliant as Don. He suits such kinda roles to perfection. I cant think of any actor from the current generation who can do a better job than him. Hrithik Roshan just proves that in his brief cameo as Don (oops, sorry!!). SRK looked really stylish all throughout the film. I liked his antics (which are very decent unlike his regular films) and dialogue delivery. Priyanka Chopra has a limited role in the film. She tried too hard to get into the character, and failed miserably. Kunal Kohli was alright in his brief role. Strangely, both Om  Puri and Boman Irani looked out of place. The guy who played the role of Jabbar, Nawab Shah, was pathetic. Lara Dutta was pretty good in her cameo.

Story-Screenplay-Direction
Written by Farhan Akhtar, Ameet Mehta and Amrish Shah (also credited for the screenplay), the film, as mentioned, relies too much on other films of similar genre. The first half of the movie was well written, and made sense, but the second half was like a half-baked cookie. The whole episode of the bank robbery, which forms the crux of the story, just doesn’t make sense. If anyone could walk into a bank and get into its safety vault so easily, I believe there would be a robbery every other day. And ya, why did Don need Vardhaan with him exactly?? The best part was Don going back into the bank with Roma in order to save the hostages. Even better, what’s with the bomb blast after Roma was shot?? The whole episodes involving Don and Roma seemed entirely ridiculous. The screenplay was decent, but too haphazard, especially towards the climax. For the first time, Farhan Akhtar fails as a director. Except for SRK, I thought that everyone looked out of place, with blank/straight faces for most of the movie. He shot the film very stylishly and even brilliantly in parts, but failed to generate performances from his artists.

Other Departments
The usual’s of an Excel production film are all here. Music by Shankar-Ehsaan-Loy is a definite asset to the film. There are only three songs in the movie though. More than the music, its the background score and the re-recording which make an impact. Lyrics by Javed Akhtar, and dialogues by Farhan are good. Editing by Anand Subaya could have been more crisp. Cinematography by Jason West is again, fantastic. The action sequences were alright, but a little to much to handle. With the 3D, I could neither make head nor tail of most of the action sequences, cos everything happened really fast. Otherwise, the 3D effect was alright. Production values by SRK and Excel Entertainment are pretty good. It is apparently the first Indian film to be shot in Germany.

Analysis
Inspired from a whole bunch of movies, Don 2 lacks the punch of the first Don. Its not that MI – Ghost Protocol dint have its flaws, but it managed to cover them with the action and direction. But for this film, except for SRK, nothing else holds. Plus points are SRK, music, cinematography and a couple of action sequences. But its the senseless script script and mediocre direction which pull the film down.

Plot
Jerry (Akshay Kumar) and Nick (John Abraham) are two friends living in London. Both of them lose their jobs during recession period. Unable to find anything else, they end up working as male escorts with ‘Desi Boyz’ as Rocco and Hunter. Nick’s fiancee Radhika (Deepika Padukone) soon finds out about his job and dumps him, and Jerry loses custody of his nephew to a foster home. Rest of the story is about how Jerry and Nick accept responsibility and find better jobs.

Artists Performance
After delivering series of flops for the last 3 years, I don’t know what better I was expecting from Akshay Kumar’s movie (other than the loud cheap comedy and double meaning dialogues that is). On the scale of pathetic acting, he scores a perfect 10. He’s a 44-year-old guy, why doesn’t someone tell him that he should start acting in sensible movies now at least. He’s a good actor, but I don’t understand why he’s wasting his talent by acting in such second grade movies.

John Abraham scores even better than Akshay, for he cant even act. As in Force, his body looked a little too beefed up. He seriously needs to go train at an acting school before it’s too late. Deepika is alright as Radhika, but even she needs to find better scripts to work on. Chitrangda Singh had no major role, and looked horrible in the film. Anupam Kher and Omi Vaidya are wasted. The kid couldn’t act for nuts. Rest of the cast was mediocre.

Story-Screenplay-Direction
David Dhawan was very famous for his cheap comedy, but his movies did make sense even if they were too loud. But his son, Rohit Dhawan (story, screenplay and direction) seems to have forgotten to use his brain while scripting and filming this movie. The story made no absolute sense. The best part is that Jerry doesn’t lose his job because of recession, but because of his careless attitude. But then, he’s good enough to become male escort. Nick joins him because he doesn’t want to leave his friend alone (I have tears in my eyes). I don’t wanna talk of rest of the movie, cos it will take forever for me to finish. To nail the coffin, direction is pathetic. Forget John, he couldn’t even make the kid act. Screenplay was mediocre.

Other Departments
Barring two songs (Desi Boyz and Hero), music by Pritam is nothing great. I liked ‘Hero’ song quite a bit. Background score by Sandeep Shirodkar is alright. Cinematography by Natarajan Subramaniam is pretty decent. With so many films being shot in London, he dint have anything new to capture. Editing by Nitin Rokade was alright. Production values could have been much better, for the sets used in the film are worse then the ones used in 1950’s (a very bad painting of a skyscraper at the window is supposed to make us believe that the courtroom is in London).

Analysis
Unless you are jobless like me, or unless you have a thing for cheap senseless humor, please avoid this film at all costs. It’s an absolute waste of money. The story is pathetic, direction worse, and acting mediocre. I wish Akshay Kumar would stop acting in such ‘ghatiya’ movies.

If you want to watch this film even after reading this review, go watch this film with a group of close buddies so as to have a laugh at least.