2015 | - Page 2

Bajrangi Bhaijaan | Movie Review

Bajrangi-Bhaijaan

He might be the bad boy of Bollywood, but Salman Khan has this aura with which he can charm* people. And that’s exactly what the director utilizes to make you fall in love with Bajrangi Bhaijaan.

Scripted by Vijayendra Prasad (the same guy who scripted Baahubali), Barjangi Bhaijaan tells the story of a young Pakistani girl and her saviour who helps her reach home. Director Kabir Khan does full justice to this simple thread by narrating it beautifully. Instead of flexing muscles, Kabir uses charm and empathy as his way out. Yes, the script is impractical and sometimes silly, but it is showcased so earnestly that you start to ignore the flaws. The movie’s first half, which establishes the characters, seems long and draggy, but the second half is truly entertaining in every sense. The direction is top-notch, for Kabir was able to bring the best out of every actor. The screenplay, too, is neat. I loved how he narrated the flashback episodes as stories intertwined into the script.

Salman Khan is brilliant as Pavan; he plays the character with so much ease while portraying the right emotions and oozing charisma. His comic timing is spot on. Kareena Kapoor Khan has a limited role, but she does well. Nawazuddin Siddiqui is perfect as the TV reporter who helps Bajrangi; he definitely is one of the finest actors in our industry. The movie’s real star is the 7-year-old Harshaali Malhotra; she is stunningly cute, and her expressions are priceless.

Music by Pritam is average. Except for a couple of songs which were forcefully inserted into the movie and should have made the cut on the editor’s table headed by Rameshwar Bhagat. The cinematography by Aseem Mishra is perfect; the way he used drones to showcase a few shots is worth mentioning.

Is it worth your time and money?: It’s a super fun movie, and Salman and Harshaali will charm their way into your hearts. Unlike most of Salman’s films, this one has its heart in the right place and is definitely worth a watch!

Worth mention: All the scenes with Harshaali and Salman, particularly the India-Pakistan cricket match episode where Harshaali acknowledges that she’s from Pakistan.

Acting: 8.5/10
Story-Screenplay-Direction: 8.5/10
Technical Aspects: 8/10

Verdict: 8.5/10

PS: It’s a treat to have this film release on Eid. What a great way to encourage religious bonding on such auspicious day! And I think India and Pakistan need more movies like this!

*Charm here can also be read as (c)harm 😛

Baahubali – The Beginning | Movie Review

Baahubali - The Beginning

Baahubali – The Beginning is touted to be the most expensive movie made in India, an epic film more than two years in the making, the expectations are high, and above all, it’s a Rajamouli film. The result? A half-baked biscuit!

Rajamouli is one of the best directors in the Telugu industry. He is a visionary; Eega was an example of that. With Baahubali, he tries to go one notch higher. He does it successfully in grandeur, but unfortunately, not on storytelling or direction.

Baahubali – The Beginning showcases the story of a young lad who discovers his lineage as we progress through the film. It starts off like most others. First, the macho protagonist character is established, followed by a show-off of muscles and strength. There is a damsel in distress for whom he falls head over heels, comes to her rescue, and finally, there is an intertwined flashback ending with an action-packed war sequence. Rajamouli ensures that there is everything the audience wants, from muscles and the navel to the beautifully crafted and picturised war sequence. But unfortunately, while there is creativity and novelty in probably every other sense, there is none in the storyline or storytelling. The screenplay is absolutely mediocre. Yes, I understand it’s a two-part film, but even then, the movie is patchy with no flow. The direction, too, isn’t up to the mark, for the characters seemed to lack emotions and are too loud at times (it felt like watching a TV serial on a couple of occasions). One expects better from Rajamouli.

Prabhas has put in a lot of effort and tried hard to do justice to the characters he plays. While he is pretty good as Baahubali, he looks miserable as Sivudu. His dialogue delivery is also not up to the mark. Rana looks menacing as the antagonist and comes up with a good performance. Anushka does well in her brief presence, but her make-up could have been better. Tamannaah looks beautiful on-screen, and I wish the same could have been said about her acting. Ramya Krishna is great, but I think the subtlety was amiss. Sathyaraj has a meaty role, and does well. The rest of the cast is alright.

Music by Keeravani is average, with almost all songs forcefully inserted into the movie. The background score and sound mixing are perfect. While cinematography by Senthil Kumar is spectacular, the colour grading is terrible, and the visuals aren’t consistent on-screen. The graphics, too, are erratic. Production design and sets are excellent. Editing by K V Rao could have been better; though a little over 150 minutes, the film seemed tediously long.

Bottom line, I have to agree that Baahubali is an example that we are making substantial progress in our filmmaking processes and techniques. But it doesn’t showcase our storytelling ability; while we’ve aimed to go global, our mindset still wants to cater to the mass audience. How will the mass audience scale-up and appreciate good cinema if we don’t let them? It’s disheartening to see a director who took this path falling back and taking the easy road.

Is it worth your time and money?: Yes, it is worth a watch, not for the storyline or the storytelling but for the grandeur. It is a bold attempt in Telugu cinema; I only wish it had more to offer in terms of story and direction rather than being old wine in a new shiny bottle.

If only the efforts were channelled in the right direction, Baahubali would have truly been epic.

Worth mention: The visuals and production values.

Acting: 7/10
Story-Screenplay-Direction: 6/10
Technical Aspects: 8/10

Verdict: 6.5/10

Terminator Genisys | Movie Review

terminator-genisys

Terminator 2: Judgment Day was one of my favourite movies during childhood, and I grew up humming the Terminator theme music. While the third and fourth instalments were huge disappointment (for me at least), Terminator Genisys brings alive the series once more, but only to an extent.

Directed by Alan Taylor, the movie starts as a prologue to The Terminator’s (1984) storyline, where Kyle Reese is sent back to protect Sarah Connor, yet-to-be-born John Connor’s mom, from Skynet’s Terminator. Just like in the 1984 movie, the T-800 and Kyle Reese arrive at the same time, but things are different now for we already have ‘Pops’ in the picture. Scripted by Laeta Kalogridis and Patrick Lussier, the storyline is very well-connected, but it sometimes is too much to handle. Alan does his best to keep you engrossed, but unfortunately, just like in his previous work (Thor: The Dark World), he defies logic and uses large-scale destruction to do this. Screenplay is alright.

Arnold is back, and he is back to what he does best; being a torpid actor. Nevertheless, he still charms you with his antics. He’s grown old for sure, but man, he still has the body to play the Guardian. Emilia Clarke looks great, and does well as the Mother of Dra.. oops, Sarah Connor. Jason Clarke (no, he’s not related to Emilia, I checked) is alright as John. Jai Courtney comes up with a better performance than in A Good Day to Die Hard, but he still is a mediocre actor.

Music by Lorne Balfe, supervised by Hans Zimmer is good. I liked the background score, but would have loved for the original theme to be playing for longer periods. Cinematography by Kramer Morgenthau is decent, and the 3D effects are good. The CGI work looked patchy at times. Editing by Roger Barton could have been better.

Is it worth your time and money?: Well, it might not be a great movie and it might actually feel like you’ve already watched all of it; nevertheless,you may give it a watch. Ensure that you have minimal expectations.

Worth mention: The SF Bridge episode is well shot.

Acting: 7.5/10
Story-Screenplay-Direction: 7/10
Technical Aspects: 7/10

Verdict: 7/10

Hasta la vista, baby!

Inside Out | Movie Review

Inside Out

After dealing with toys, bugs, monsters, fish, cars, rats, robots, dogs and superheroes, Pixar now makes a movie on human emotions. And boy, it was fun to figure yourself Inside Out.

Directed by Pete Docter (who had earlier directed two of my favourite Pixar films Monsters, Inc. and Up), Inside Out showcases the story of five emotions inside the head of an eleven year old girl, Riley. Joy, who happens to lead the pack, wants to ensure that Riley always stays happy and joyful; but she doesn’t realize that Riley can’t stay joyful if it were only up to her. Yes, Joy is important, but what’s the fun of Joy if you’ve never experienced Sadness; or for that matter, Fear, Disgust or Anger. While it might seem too intellectual, Pete does a brilliant job of portraying this message. Young kids in the theatre were appreciating almost every scene, and their Joy made sure it was apparent. There are tons of moments in the movie; be it mother’s interactions with father’s emotions, or the reactions of a young boy’s emotions when he bumps into a girl, it’s all depicted beautifully. Screenplay is simple yet effective.

Amy Poehler, Phyllis Smith, Bill Hader, Lewis Black, and Mindy Kaling bring Riley’s Joy, Sadness, Fear, Anger and Disgust to life. I especially loved Black as Anger.

Music by Michael Giacchino is enjoyable, and editing by Kevin Nolting is neat. While the 3D effects aren’t spectacular, no qualms on the CGI work.

Is it worth your time and money?: Irrespective of whether you like animation or not, it’s time to put aside your Disgust, Fear and Anger, and go watch Inside Out. I’m sure even Sadness will experience Joy! 😀

Worth mention: The beautiful narrations; and the islands.

Acting: 9/10
Story-Screenplay-Direction: 9.5/10
Technical Aspects: 9/10

Verdict: 9/10

PS: I loved this pic!

Inside Out - Feelings

Flavours of TMH | Restaurant Review

Place: Flavour of TMH
Location: Taj Mahal Hotel, Rd. No. 92, Jubilee Hills
Cuisine: Indian
Meal: Dinner (with amma and dad)

As mentioned in my previous reviews of Taj Mahal Hotel (Narayanguda; SD Road), amma and dad happen to be fans of TMH. So when we got to know that these guys opened their new branch in Jubilee Hills, there was excitement, which eventually made us drop by for dinner on a weekday. The place looked fancy when compared to the other branches, and pretty busy, mostly because of the large number of stewards and waiters.

They had huge hard-bound menus, and it took us a while to digest their offerings, for almost every item of their South Indian fare was priced exorbitantly. A single cutlet which costs less than 50 bucks at any other TMH in town, was priced at 90 (+taxes). Anyway, I ordered it for amma, apart from the Ghee Karapodi Idli for dad, and Chole Bhature for myself. I also wanted to try one of their continental offerings, so ordered for Cottage Cheese Satay.

While we wait for our food, we had to shift tables for the mats on ours were stinking, thanks to the food stuck onto them which wasn’t cleaned properly. When we informed this to the steward and waiters, all they did was stare at the food stuck onto the mats and smile, instead of cleaning them. When we moved to a different table, they began to treat us as new customers and again came to take our order. Total chaos it was!

Once things were sorted, our food came by. Dad seemed to like the idli. I tasted the sambar, and it was pretty decent.

The Cutlet came in next, with some chips and the special sauce. The cutlet tasted good, as it should have been. However, the sauce wasn’t up to the mark for it was too thin and lacked expected flavour.

I ordered for Chole Bhature mainly to compare it with what is offered at Chutneys. And it was comparable. While the Bhature was a little thicker than I’d prefer, the chole tasted tangy and yummy. The quantity too was sumptuous.

The best part of the meal unexpectedly turned out to be the Cottage Cheese Satay. Six large chunks of paneer perfectly marinated in spicy peanut based sauce served with more peanut sauce; yummilicious. The paneer was super fresh and the peanut sauce was finger licking good. In fact, I asked two extra portions of the sauce, it was that yum.

Overall, a good meal. Almost every item tasted good, with the Satay turning out to be the best. On the downside, the service was terrible. They had about 20 people waiting tables, which made the place crowded. And there was absolutely no coordination among these guys. The guy serving water at the next table won’t attend to us cos it wasn’t his table, it was that bad. All this in addition to the inordinate pricing. Yes, the restaurant is in a prime location, but you can’t be unreasonable. The prices of their South Indian fare is almost 15-20% higher than the surrounding Chutneys or Minerva Coffee Shop. And surprisingly, everything else on the menu was reasonable. Bottom line, unless you’re coming in for the North Indian or Continental fare, it’s better to visit the other TMH in town.

Food: 8.5/10
Service: 5/10
Ambiance: 7/10
Meal for 3: Rs. 551/-

Verdict: 7/10

PS: We realized after reaching home that they billed us incorrectly. It was supposed to be around 800 bucks but they billed us only for 551. Again, this shows how incompetent their service was.

ABCD 2 | Movie Review

ABCD 2

There is no lack of dancing talent in India, and our dance reality shows brought this talent to our living room. The ABCD franchise takes this one notch further and presents this talent on a global scale.

Scripted, directed and choreographed by Remo D’Souza, ABCD 2 showcases the story of an underdog dance group who make it large at a global hip-hop competition. The choreography part of it is perfect, no qualms on that front, but the storytelling and direction are extremely mediocre. While ABCD established characters and then sought dancing, ABCD 2 barely establishes any; they are all just there and you are supposed to know them. This doesn’t help in the audience connect with the dance group on an emotional level. Remo did try to infuse Indian spirit to get that connect, but that’s only towards the latter half. Another failing point of this unnecessarily long 154 minutes dance film is excess melodrama. Every scene is exaggerated to an extent that you almost start giggling. The dance sequences too get boring after a while for there are so many. ABCD 2 proves for sure that any body can dance, but not everyone can direct.

Varun Dhawan and Shraddha Kapoor put their best foot forward and perform exceptionally well in almost every dance sequence. They give the professional dancers a run for their money, but they barely act. The professional dancers, in fact put up a better act than them. Prabhu Deva is good and performs with ease. Dharmesh and Raghav’s acts are commendable.

Music by Sachin-Jigar is foot tapping, as required. Cinematography by Vijay Arora is perfect; he ensured that all dance sequences look spectacular on-screen. 3D effects are worth mentioning. Editing by Manan Sagar is mediocre; this kind of movie can’t be over 2 hours long, and Manan should have ensured that.

Is it worth your time and money?: Well, it’s a difficult question. Yes, the dance sequences are spectacular, and the leads put in great effort (but barely act). But the storytelling fails miserably. The movie length doesn’t help either. Bottom-line, give it a watch only if you have nothing better to do (and if well choreographed dance sequences turn you on).

Worth mention: The dance sequences.

Acting: 8/10
Story-Screenplay-Direction: 6.5/10
Technical Aspects: 7.5/10

Verdict: 7/10

Dil Dhadakne Do | Movie Review

Dil Dhadakne Do

Given that I loved Zindagi Na Milegi Dobara (which happens to be the second review I’ve ever written), I’ve been waiting for Dil Dhadakne Do for a while now. And yes, it was worth the wait!

Scripted by Zoya Akhtar and Reema Kagti, Dil Dhadakne Do showcases the struggles of a dysfunctional high-society family of four – the Mehras. Kamal and Neelam are an unhappy couple celebrating their 30^th anniversary on a cruise with family and friends. They are more concerned about their prestige and image rather than the welfare of their kids, Ayesha and Kabir, both struggling to discover their own identities. Zoya does a brilliant job on the direction front to bring this family to life. The quirky narration makes you connect with the Mehra family pretty soon. There are tons of moments in the movie which showcase the realities of wealthy families, and she does it in a charming way, without it ever getting preachy. The light-hearted humour infused into the script is worth a mention. Screenplay is spot on, and so are the dialogues penned by Farhan. My only concern was with the hurried climax; after sitting through for almost three hours, you’d expect something better.

Anil Kapoor is absolutely brilliant as the self-made Kamal Mehra. This is the Anil I grew up watching, the one who owns the role. Shefali Shah is equally good as Mrs. Mehra. Priyanka and Anushka perform well. Rahul Bose is good, and so is Farhan in his brief appearance. But the real star happens to be Ranveer Singh, who comes up with an impeccable act. Be it his mannerisms or antics, this is a breath of fresh air. His performance in the medical ward episode is exceptional. Aamir Khan entertains as Pluto Mehra. The rest of the ensemble cast is perfect.

Music by Shankar-Ehsaan-Loy is melodious. Almost all the songs are awesomely picturized, which brings me to talk about the cinematography. Carlos Catalan, take a bow. Be it the beautiful landscapes of Turkey, or the single shot sequence for “Gallan Goodiyaan” song, they were spectacular. Editing by Anand Subaya and Manan Mehta is alright. Special shout out to Bosco-Caesar for brilliant choreography.

Is it worth your time and money?: Oh yes. While ZNMD dealt with friendship, DDD talks about family relationship. Acting and cinematography are definite plus points of this lengthy movie. I’d recommend watching it with your families; for all you know, it might help you open up to them a bit more.

Worth mention: Acting and cinematography.

Acting: 9/10
Story-Screenplay-Direction: 8.5/10
Technical Aspects: 8.5/10

Verdict: 8.5/10

Little Italy | Restaurant Review

Place: Little Italy
Location: BK Towers, Opp. Cyber Pearl, Hitech City
Cuisine: Italian
Meal: Lunch

I’ve been wanting to drop into Little Italy at Hitech City for a long time but never found the right occasion. I didn’t need an excuse on my Birthday, and finally, here I was. This restaurant looked much more brighter than the one in Jubilee Hills, and I settled down in a corner all by myself.

They had a decent buffet spread with a salads, breads, and a variety of sauces. This was in addition to the soup, a couple of starters, a small pizza, pasta, and the complimentary drinks being served on the table. They also had a live crepe counter apart from the regular desserts.

For soup, they had Zuppa Di Cipolle, a clear soup with spring onions and croutons. This turned out to be decent and was a good start to the meal.

Tacos were served next which were amazingly yummy. They definitely were among the best part of the meal.

Baby-corn Fritters turned out to be disappointing for they lacked flavour and tasted very bland. There was also Fungi Trifolati, which was delicious.

Almost everything on the buffet spread tasted good.

I asked for a Sicilian Pizza, which turned out to be great. The Pasta Barbaresca was equally delicious.

The crepe, and the deserts were decent enough.

Overall, it turned out to be a pretty good meal. While the buffet had options, it was nothing spectacular, and I think I’d prefer À-la-carte next time around. Nevertheless, the buffet is a worthwhile meal.

Food: 8.5/10
Ambiance: 8/10
Service: 7.5/10
Meal for 1: Rs. 640/-

Verdict: 8/10

Tanu Weds Manu: Returns | Movie Review

Tanu-Weds-Manu-Returns

Kangana is one of the most versatile actors we have in the industry today, and she proved her mettle with Queen. Now, she does it again in Tanu Weds Manu: Returns.

Anand Rai’s sequel starts off with Manu landing in a mental asylum because of domestic problems four years post their wedding. Tanu goes back to being herself in Kanpur, while Manu, out of the asylum, is still brooding over Tanu in Delhi. Things change when Manu runs into Kusum, a Haryanvi doppelgänger of Tanu. While the first few minutes of the movie seem ridiculous, Anand does a commendable job on direction front. Himanshu Sharma’s dialogues are witty and the screenplay is decent. The woman empowerment speech was very well conceived. However, the movie starts to drag towards the climax, and the ending is too predictable.

Kangana is brilliant being herself as Tanu, while she does a perfect job as Kusum. Her Haryanvi accent is as good as a local; it was really difficult for me to understand most of it at times. She might walk away with honours again this year for her performance. Madhavan is flawless as the 40 years old initially struggling with his over-hyper wife, and later as the guy yearning for her attention. Deepak Dobriyal overacts, while Jimmy comes up with a subdued performance.

Music by Krsna Solo and Tanishk-Vayu is alright, with ‘Banno’ being the best of the lot. Cinematography by Chirantan Das is worth a mention, while editing by Hemal Kothari is neat.

Is it worth your time and money??: Tanu Weds Manu: Returns isn’t a great movie. But it still works thanks to another exceptional performance from Kangana. Baring some flaws in the script and the very predictable ending, it’s still worth a watch.

Worth mention: Kangana’s performance as Kusum in the climax, and Rajesh Sharma’s speech on women empowerment.

Acting: 8/10
Story-Screenplay-Direction: 7.5/10
Technical Aspects: 8/10

Verdict: 7.5/10 + 0.5 for Kangana!

Vasanta Bhavan | Restaurant Review

Place: Vasanta Bhavan
Location: Road No. 14, Banjara Hills
Cuisine: Indian
Meal: Dinner/Lunch (with amma and dad)

Vasanta Bhavan has been a new addition to the vegetarian restaurants serving authentic South Indian dishes. Though it’s been a while since this restaurant opened, it was not till a couple of months ago did we drop in, twice in a month. The restaurant is pretty huge, and well done with a traditional touch to it.

On our first outing, we ordered Pongal, Ghee Dry Fruit Rawa Dosa and Chilli Parotta. We also ordered a portion of Shanghai Rolls. We enquired about the Thali and were told it isn’t served for dinner.

The Shanghai Rolls were kinda oily and rolled up pretty thick. The stuffing however tasted decent. Not a great start to the meal though.

For 125 bucks, the quantity of Pongal served seemed meagre. On taste front, it was just alright, nothing spectacular.

The Rawa Dosa was even more disappointing. It wasn’t roasted properly and there were barely any dry fruits. The Sambar was decent.

The Chilly Parota was served with Raitha, and I had to request the waiter twice to get some korma. Parota tasted alright, but was also a little too spicy for my liking.

Overall, our first meal wasn’t really worthwhile. Nevertheless, wanting to give them another chance, we dropped in again a few days later for lunch. This time we ordered a Sambar Rice, a South Indian and a North Indian thali.

Unlike most North Indian Thali, this one came with Pudina Soup which turned out to be excellent. Amma actually loved it.

The thali had Butter Naan, Paneer Butter Masala, Channa Masala, Mixed Vegetable, Dal, a bowl of Biryani, and sweet. The Naan was soft, and all the curries were delicious, with PBM being the best of the lot. The biryani too was appetizing.

The South Indian thali and the Sambar Rice were also pretty good. While our last experience wasn’t fruitful, this time we were satisfied on food front.

But wait, this wasn’t it. While the service on our first visit was passable, this time it turned out to be atrocious. On a Sunday afternoon, when the restaurant was packed, their air conditioning wasn’t working. We were sweating like crazy, and not one guy was responding when we were enquiring about the situation. Almost every waiter had an attitude, and I happened to lose it when I caught one sneering my dad at the counter. Air conditioning not working is acceptable, but you definitely can’t have people walking carelessly around the restaurant, with a sneering attitude.

The manager offered a discount on the bill when I brought this to his notice, but this ain’t the solution. We came in the second time wanting to give the restaurant another chance, and while the food was good, I don’t think I’m ever coming back to this place; not in the near future at least.

Food: 7.5/10
Service: 3/10
Ambience: 7/10
Meal for 3: ~ Rs. 540/-

Verdict: 5/10